Biography – Eva Ivanova-Dyatlova

Eva Ivanova-Dyatlova is an internationally active flutist whose work combines historically informed performance with artistic curiosity and experimental approaches. Her musical profile moves between early music, chamber music, and new sonic concepts.

She has performed in renowned venues such as Carnegie Hall in New York, the Elbphilharmonie Hamburg, the Musikverein in Vienna, the Théâtre des Champs-Élysées in Paris, and the Concertgebouw in Amsterdam. A prizewinner of several international competitions, she has received awards at the Handel Competition in Göttingen, the Telemann Competition in Magdeburg, and the competition of the Hofkapelle Rheinsberg, among others.

An important aspect of her artistic work is her collaboration with leading ensembles in the field of early music. During her studies, she was a member of the Theresia Orchestra, a scholarship holder of the iCons Foundation, and performed with the European Union Baroque Orchestra (EUBO). She now regularly performs with ensembles such as il Pomo d’Oro and Concerto München.

As co-founder of the internationally active ensembles Mozaïque and Fabridoen, she develops her own projects. With Fabridoen, she focuses in particular on Flemish Renaissance repertoire, which she has performed throughout Europe. She has also received important artistic impulses through collaborations with conductors such as G. Antonini, A. Bernardini, M. Emelyanychev, F. Corti, and Ch. Banchini.

Alongside her work in historically informed performance, she actively explores artistic boundaries, engaging with experimental concert formats and improvisational approaches, including connections to jazz.

At the Research Institute of the Deutsches Museum in Munich, she is currently conducting research on the historical glass flute by Claude Laurent (patented in 1806), combining scholarly inquiry with artistic practice.

She has also taught as a lecturer at the Hamburg University of Music and Theatre, where she shared her experience and enthusiasm with young musicians.

Eva Ivanova-Dyatlova approaches music as a living space of discovery—her interpretations combine historical depth with personal expression and an open perspective on the present.